Cinema Info
Experience the best in Independent and world film in a fully digital cinema based in the unique surroundings of a stunningly refurbished 1700s neo-classical church. Triskel Arts Centre in the heart of Cork city screens two titles each week with additional special events, film strands such as Experimental Film, Horror and monthly Shorts.
- Tickets for films rated ’12A’ and ’15A’ can be purchased for persons under the ages of 12 and 15 only if accompanied by an adult guardian (of 18 years or older).
- Tickets for films rated ’16’ can be purchased by and for persons of 16 years of age and over only (valid ID may be required).
- Tickets for films rated ’18’ can be purchased by and for persons of 18 years of age and over only (valid ID may be required).
- Tickets for films rated ‘NC’ can be purchased by members only, of 18 years of age and over only (valid ID may be required). Members must be over 18 years of age to attend films rated ‘NC’.
We encourage everyone to purchase tickets online in advance but, if you’d prefer to purchase in person, check out this week’s Box Office Opening Hours. We would appreciate contactless payment where possible.
Are you a cinema member? If not, why not?! Click on the Cinema Membership tab above for more information or buy now.
CloseTickets Pricing
Ticket prices before 5pm*:
Full: €7.50
With Annual Membership: €6.50
Child (under 14): €6.50
Ticket prices 5pm and after:
Full: €10.50
With Annual Membership: €8
Child (under 14): €8
We encourage everyone to purchase tickets online in advance but, if you’d prefer to purchase in person, check out this week’s Box Office Opening Hours. We would appreciate contactless payment where possible.
*Triskel may adjust these prices in special circumstances
Are you a cinema member? If not, why not?! Click on the Cinema Membership tab above for more information or purchase directly.
CloseCinema Membership
If you love films, then Triskel Cinema Membership is a must for you. Members benefits include:
- Reduced standard ticket prices
- No fees on non-cert titles
- Invitation to special screenings and events
- Exclusive membership newsletter
- A free screening after every eight attended (full annual membership only)
- Treat one guest per screening to your membership rates (full annual membership only)
- Free 90-day subscription to MUBI
Full: €20 – purchase now
Student*: Free (sign up with valid student ID)
Silver*: Free (for over 65s)
Unwaged*: Free (for jobseekers)
* Sign up in person at Triskel Box Office
Terms and conditions
- Card is valid for 12 months from date of purchase.
- Titles, times, dates and prices subject to change.
- Management reserves the right to refuse admission.
- Membership can be revoked if not used in line with our terms and conditions.
- Membership is non-transferrable.
- Full Membership can be purchased online. All other memberships need to be obtained at our Box Office. Please note, we do not process memberships in the 30 minutes prior to a screening.
- Presentation of membership card and valid ID needed to purchase tickets and enter auditorium.
- Membership prices does not extend to satellite broadcasting events.
- Membership price can be extended to one guest per screening (full annual membership only).
- One free ticket earned for every eight (full annual membership only).
- Use of recording devices is forbidden.
- Tickets for films rated ’12A’ and ’15A’ can be purchased for persons under the ages of 12 and 15 only if accompanied by an adult guardian (of 18 years or older).
- Tickets for films rated ’16’ can be purchased by and for persons of 16 years of age and over only (valid ID may be required).
- Tickets for films rated ’18’ can be purchased by and for persons of 18 years of age and over only (valid ID may be required).
- Tickets for films rated ‘NC’ can be purchased by members only, of 18 years of age and over only (valid ID may be required).
Triskel Cinema Recommends
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Film buffs will be Lyne-ing up for this one – Cork Independent
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Fatal, flashy and indecent – the movies of Adrian Lyne revisited – RTE Culture
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The Shrouds review – precision filmmaking of the highest stripe – Little White Lies
- “The pain we go through sometimes creates an alchemy that can become release or self-realisation, but we don’t know that at the time.” Rebecca Lenkiewicz, director of Hot Milk – CineEuropa
Anti-ClockNC
Phantoscope
Anti-ClockNC
Phantoscope
92 mins – United Kingdom 1979
Director: Jane Arden & Jack Bond
Starring: Sebastian Saville, Suzan Cameron and Tom Gerrard
A complex and fascinating experimental exploration of time and identity, ANTI-CLOCK is a film of authentic, startling originality. Brilliantly mixing film and video techniques, Arden and Bond’s paranoid, psychological surveillance study of a career gambler turned clairvoyant unstuck in time captures onscreen the anxieties that have infiltrated the consciousness of so many in Western society.
Jane Arden was a leading figure in experimental British theatre and cinema, and an important radical feminist voice of the 1960s and ‘70s. With her work increasingly informed by her politics, the beginning of a personal and professional relationship with director Jack Bond facilitated the move to cinema, and the creation of a small but remarkable body of film work which is becoming increasingly celebrated. Following her tragic and sudden death in 1982, Bond withdrew these often strongly autobiographical films from circulation, only relenting decades later. Arden’s work is raw, perceptive, disturbing, vital, and beautiful.
92 mins – United Kingdom 1979
Director: Jane Arden & Jack Bond
Starring: Sebastian Saville, Suzan Cameron and Tom Gerrard
A complex and fascinating experimental exploration of time and identity, ANTI-CLOCK is a film of authentic, startling originality. Brilliantly mixing film and video techniques, Arden and Bond’s paranoid, psychological surveillance study of a career gambler turned clairvoyant unstuck in time captures onscreen the anxieties that have infiltrated the consciousness of so many in Western society.
Jane Arden was a leading figure in experimental British theatre and cinema, and an important radical feminist voice of the 1960s and ‘70s. With her work increasingly informed by her politics, the beginning of a personal and professional relationship with director Jack Bond facilitated the move to cinema, and the creation of a small but remarkable body of film work which is becoming increasingly celebrated. Following her tragic and sudden death in 1982, Bond withdrew these often strongly autobiographical films from circulation, only relenting decades later. Arden’s work is raw, perceptive, disturbing, vital, and beautiful.
A futuristic masterpiece. 
