Bennie Reilly’s work has always dealt with aspects of the natural world and its peculiarities. Her latest exhibition, The New Past, is a collection of paintings and sculptural objects that present a flux of both accepted and questionable historical fact.

Kevin Mooney’s new exhibition, Fragments of San Borondon, gathers together artefacts from the little known, tiny Caribbean island of San Borondon.

Using discarded bicycle tyres as the basis for her work, Martirosyan explores the transformative potential of repeated actions and the evocative power of materials in a state of rejection.