MARKING INTERNATIONAL WOMEN’S DAY 8 MARCH IN COLLABORATION WITH FINDING A VOICE FESTIVAL

The Ora Quartet is one of a number of fine new Irish string quartets building a strong reputation. This tour, in conjunction with Finding a Voice festival, marks International Women’s Day on 8 March and presents four outstanding works by women composers.

Elizabeth Maconchy was born in England in 1907 to Irish parents and was a prolific and successful composer through much of the twentieth century. The third of her thirteen quartets is among the most popular and was written with Europe on the cusp of yet another war; it is dramatic, yearning and very much according to her feeling that ‘the best music is an impassioned argument’.

Ailbhe McDonagh’s ‘Lore Quartet’ was commissioned by NSQF and first performed by the Ficino Quartet – with the composer as cellist – in December 2023. Its three short movements (Dolmen – Fairies – Púca) take us on a journey through some of Ireland’s most treasured myths and legends.
Florence Price’s music has been re-discovered in the last ten years or so and it is a treasure trove of over 300 compositions. Her gorgeous A minor quartet will surely become a regular feature of string quartet programmes in the coming years.

In association with the National String Quartet Foundation.

Ora Quartet

Siun Milne, violin
Molly O’Shea, violin
Ali Comerford, viola
Yseult Cooper-Stockdale, cello

Programme

Elizabeth Maconchy Quartet No.3 [1938]
Ailbhe McDonagh Lore Quartet [2023]
Florence Price Quartet in A minor [1935]

About the Ora Quartet

Siún Milne, violin
Siún studied the violin with Ruxandra Colan-Petcu at CIT Cork School of Music before completing her BMus degree on scholarship at the Royal Academy of Music in London with Maurice Hasson and Mateja Marinkovic.

Siún is a member of the Scottish Chamber Orchestra and has performed with a variety of ensembles throughout her career including the Irish Chamber Orchestra, The Vanbrugh and Callino String Quartet, Aurora Orchestra, Hebrides Ensemble and Scottish Ensemble. She recently performed Stravinsky’s Soldier’s Tale with the Scottish Chamber Orchestra.

Siún has participated in masterclasses with Gerhard Schulz at IMS Prussia Cove, Pavlo Beznosiuk, Sylvia Rosenberg and Rachel Podger. As a part of Ólafur Arnald’s string quartet, Siún performed at the Montreux Jazz Festival, Cross-Linx Festival, Volksbühne Berlin and has toured the UK with Arnald’s soundtrack for “Broadchurch”. She has performed with a diverse range of artists including Mícheál O’ Suilleabháin, Sam Amidon, Frankie Gavin, singer-songwriter Rumer on BBC’s Later with Jools Holland, Loah at the National Concert Hall and Efterklang.

Molly O’Shea, violin
Molly O’Shea is a violinist, currently based in Dublin. She completed her BMus in the Cork School of Music in June of 2019 under the guidance of Ruxandra Petcu-Colan and Liz Charleson, graduating with First Class Honours. She had spent the previous 3 years studying under Marc Danel at l’Institut de la Musique et de Pedagogie in Namur, Belgium and graduated with Distinction from a Violin Performance Masters June of 2018.

During her studies, Molly has been a prizewinner in multiple competitions both locally and nationally. In October 2019 she received 2nd prize in the Irish Freemasons Young Musician of the Year competition and was also the recipient of the Florian Leonhard Fine Instrument Grant and the John Vallery Prize for the Highest Placed String Player. In 2021, Molly was chosen as one of five young musicians to take part in the University Concert Hall’s Rising Stars Concert in Limerick. She has been a member of the First Violin section of the National Symphony Orchestra of Ireland since March 2020 while also maintaining a varied freelance career.

Molly is an avid chamber musician. With the Inis quartet, Molly was invited to participate in the West Cork Chamber Music Festival masterclasses in summer 2023, taking masterclasses with the Armida Quartet, the Pacifica Quarter and the Ardeo Quartet. She was selected to participate in the Chamber Music Gathering 2019 in the National Concert Hall. In November 2018, Molly was selected to perform at the Philharmonie de Liege as part of a Young Chamber Musicians Programme.

Ali Comerford, viola
Ali Comerford is an Irish musician, born and raised in Kilkenny. She completed her Masters in Viola Performance at the Manhattan School of Music in New York after gaining a full scholarship to study with Patinka Kopec. During her time there, she won the Fuchs Chamber Music Prize, and the Hindemith Viola Competition, and also played as principal violist under the baton of Leonard Slatkin. After graduating in 2017, Ali performed as a freelance musician in New York and played as principal violist with The New York Chamber Music Players, The Handel Festival Orchestra and TENYC, with whom she premiered works at Carnegie Hall, all while holding a Fellowship at the International House NY. Ali then won a position with Lincoln Center Stage and spent time traveling the world as a chamber musician and soloist, most notably to Australia, New Zealand, Fiji and Alaska. In 2023 Ali was awarded the Resonate Residency for the National Opera House. She performs consistently with the National Symphony Orchestra and enjoys a varied freelance career. Ali also holds a Masters in Violin Performance from the Royal College of Music in London and a Bachelor of Music from the Guildhall School of Music and Drama.

Yseult Cooper-Stockdale, cello
Yseult enjoys a varied career, performing with every professional orchestra in the ROI, while also specializing in experimental performance.

Favouring more intimate ensembles, she is highly regarded as a chamber musician and collaborator. ’22 / ’23 projects included the Huddersfield Contemporary Music Festival (Crash and Kirkos), and tours with Spero Quartet, Vanbrugh, Evlana, Ficino Ensemble, The Quiet Music Ensemble, BellX1, and the Irish Chamber Orchestra. She was also Arts Council funded to co-write and perform a large-scale cross-disciplinary work, and received an Agility Award to expand her knowledge of historically-informed performance. Improvisation collaborators include Lina Andonovska, Nick Roth and Andy Ingamells.