Cinema Info
Experience the best in Independent and world film in a fully digital cinema based in the unique surroundings of a stunningly refurbished 1700s neo-classical church. Triskel Arts Centre in the heart of Cork city screens two titles each week with additional special events, film strands such as Experimental Film, Horror and monthly Shorts.
- Tickets for films rated ’12A’ and ’15A’ can be purchased for persons under the ages of 12 and 15 only if accompanied by an adult guardian (of 18 years or older).
- Tickets for films rated ’16’ can be purchased by and for persons of 16 years of age and over only (valid ID may be required).
- Tickets for films rated ’18’ can be purchased by and for persons of 18 years of age and over only (valid ID may be required).
- Tickets for films rated ‘NC’ can be purchased by members only, of 18 years of age and over only (valid ID may be required). Members must be over 18 years of age to attend films rated ‘NC’.
We encourage everyone to purchase tickets online in advance but, if you’d prefer to purchase in person, check out this week’s Box Office Opening Hours. We would appreciate contactless payment where possible.
Are you a cinema member? If not, why not?! Click on the Cinema Membership tab above for more information or buy now.
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Ticket prices before 5pm*:
Full: €7.50
With Annual Membership: €6.50
Child (under 14): €6.50
Ticket prices 5pm and after:
Full: €10.50
With Annual Membership: €8
Child (under 14): €8
We encourage everyone to purchase tickets online in advance but, if you’d prefer to purchase in person, check out this week’s Box Office Opening Hours. We would appreciate contactless payment where possible.
*Triskel may adjust these prices in special circumstances
Are you a cinema member? If not, why not?! Click on the Cinema Membership tab above for more information or purchase directly.
CloseCinema Membership
If you love films, then Triskel Cinema Membership is a must for you. Members benefits include:
- Reduced standard ticket prices
- No fees on non-cert titles
- Invitation to special screenings and events
- Exclusive membership newsletter
- A free screening after every eight attended (full annual membership only)
- Treat one guest per screening to your membership rates (full annual membership only)
- Free 90-day subscription to MUBI
Full: €20 – purchase now
Student*: Free (sign up with valid student ID)
Silver*: Free (for over 65s)
Unwaged*: Free (for jobseekers)
* Sign up in person at Triskel Box Office
Terms and conditions
- Card is valid for 12 months from date of purchase.
- Titles, times, dates and prices subject to change.
- Management reserves the right to refuse admission.
- Membership can be revoked if not used in line with our terms and conditions.
- Membership is non-transferrable.
- Full Membership can be purchased online. All other memberships need to be obtained at our Box Office. Please note, we do not process memberships in the 30 minutes prior to a screening.
- Presentation of membership card and valid ID needed to purchase tickets and enter auditorium.
- Membership prices does not extend to satellite broadcasting events.
- Membership price can be extended to one guest per screening (full annual membership only).
- One free ticket earned for every eight (full annual membership only).
- Use of recording devices is forbidden.
- Tickets for films rated ’12A’ and ’15A’ can be purchased for persons under the ages of 12 and 15 only if accompanied by an adult guardian (of 18 years or older).
- Tickets for films rated ’16’ can be purchased by and for persons of 16 years of age and over only (valid ID may be required).
- Tickets for films rated ’18’ can be purchased by and for persons of 18 years of age and over only (valid ID may be required).
- Tickets for films rated ‘NC’ can be purchased by members only, of 18 years of age and over only (valid ID may be required).
Funny GamesNC
Complicit: A Michael Haneke Retrospective
109 mins | Austria 1997 | Subtitles
Director: Michael Haneke
Starring: Susanne Lothar, Ulrich Mühe and Arno Frisch
What is our obsession with screen violence? It’s a question Michael Haneke explores with surgical scrutiny in this chilling drama.
A husband, wife and their son drive to their lake house. Soon after they arrive, two teenage boys, dressed in tennis whites, come calling. They seem innocent enough at first, but when their entreaties to enter the family house are rebuffed, they resort to violence. Through the boys, Haneke once again tears apart the fabric of middle-class life, employing shock and satire in equal measure.
Haneke has no interest in further indulging a taste for screen violence – most of the action unfolds off screen. We only hear what happens. As with his previous film BENNY’S VIDEO, Haneke asks what impact screen violence must have on society. There are no easy answers, but there’s no denying the power of Haneke’s film.
Complicit: A Michael Haneke Retrospective
“Film is 24 lies per second at the service of truth, or at the service of the attempt to find the truth,” says Austrian filmmaker Michael Haneke, whose challenging work has garnered two Palme d’Or awards and the Academy Award for Best Foreign Language Film. Curzon Film and Triskel Arts Centre presents an eight-film retrospective of Haneke’s films.See info»
109 mins | Austria 1997 | Subtitles
Director: Michael Haneke
Starring: Susanne Lothar, Ulrich Mühe and Arno Frisch
What is our obsession with screen violence? It’s a question Michael Haneke explores with surgical scrutiny in this chilling drama.
A husband, wife and their son drive to their lake house. Soon after they arrive, two teenage boys, dressed in tennis whites, come calling. They seem innocent enough at first, but when their entreaties to enter the family house are rebuffed, they resort to violence. Through the boys, Haneke once again tears apart the fabric of middle-class life, employing shock and satire in equal measure.
Haneke has no interest in further indulging a taste for screen violence – most of the action unfolds off screen. We only hear what happens. As with his previous film BENNY’S VIDEO, Haneke asks what impact screen violence must have on society. There are no easy answers, but there’s no denying the power of Haneke’s film.