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Cinema Info

Experience the best in Independent and world film in a fully digital cinema based in the unique surroundings of a stunningly refurbished 1700s neo-classical church. Triskel Arts Centre in the heart of Cork city screens two titles each week with additional special events, film strands such as Experimental Film, Horror and monthly Shorts.

  • Tickets for films rated ’12A’ and ’15A’ can be purchased for persons under the ages of 12 and 15 only if accompanied by an adult guardian (of 18 years or older).
  • Tickets for films rated ’16’ can be purchased by and for persons of 16 years of age and over only (valid ID may be required).
  • Tickets for films rated ’18’ can be purchased by and for persons of 18 years of age and over only (valid ID may be required).
  • Tickets for films rated ‘NC’ can be purchased by members only, of 18 years of age and over only (valid ID may be required). Members must be over 18 years of age to attend films rated ‘NC’.

We encourage everyone to purchase tickets online in advance but, if you’d prefer to purchase in person, click here for this week’s Box Office Opening Hours. We would appreciate contactless payment where possible.

Are you a cinema member? If not, why not?! Click on the Cinema Membership tab above for more information or click here to purchase.

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Tickets Pricing

Ticket prices before 5pm*:
Full: €7.50
With Annual Membership: €6.50
Child (under 14): €6.50

Ticket prices 5pm and after:
Full: €10.50
With Annual Membership: €8
Child (under 14): €8

We encourage everyone to purchase tickets online in advance but, if you’d prefer to purchase in person, click here for this week’s Box Office Opening Hours. We would appreciate contactless payment where possible.

*Triskel may adjust these prices in special circumstances

 

Are you a cinema member? If not, why not?! Click on the Cinema Membership tab above for more information or purchase directly.

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Cinema Membership

If you love films, then Triskel Cinema Membership is a must for you. Members benefits include:

  • Reduced standard ticket prices
  • No fees on non-cert titles
  • Invitation to special screenings and events
  • Exclusive membership newsletter
  • A free screening after every eight attended (full annual membership only)
  • Treat one guest per screening to your membership rates (full annual membership only)
  • Free 90-day subscription to MUBI

Full: €15 – click HERE to purchase
Student*: Free (sign up with valid student ID)
Silver*: Free (for over 65s)
Unwaged*: Free (for jobseekers)

* Sign up in person at Triskel Box Office

Terms and conditions

  • Card is valid for 12 months from date of purchase.
  • Titles, times, dates and prices subject to change.
  • Management reserves the right to refuse admission.
  • Membership can be revoked if not used in line with our terms and conditions.
  • Membership is non-transferrable.
  • Full Membership can be purchased online. All other memberships need to be obtained at our Box Office. Please note, we do not process memberships in the 30 minutes prior to a screening.
  • Presentation of membership card and valid ID needed to purchase tickets and enter auditorium.
  • Membership prices does not extend to satellite broadcasting events.
  • Membership price can be extended to one guest per screening (full annual membership only).
  • One free ticket earned for every eight (full annual membership only).
  • Use of recording devices is forbidden.
  • Tickets for films rated ’12A’ and ’15A’ can be purchased for persons under the ages of 12 and 15 only if accompanied by an adult guardian (of 18 years or older).
  • Tickets for films rated ’16’ can be purchased by and for persons of 16 years of age and over only (valid ID may be required).
  • Tickets for films rated ’18’ can be purchased by and for persons of 18 years of age and over only (valid ID may be required).
  • Tickets for films rated ‘NC’ can be purchased by members only, of 18 years of age and over only (valid ID may be required).
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Paris, Texas
NC

40th Anniversary

146 minutes – West Germany / France / United Kingdom / United States 1984
Director: Wim Wenders
Starring: Harry Dean Stanton, Nastassja Kinski and Dean Stockwell

Harry Dean Stanton plays Travis Henderson, who walks out of the desert after disappearing for four years. He is picked up by his brother Walt (Dean Stockwell) who, with his wife Anne (Aurore Clément), have been looking after Travis’ son Hunter (Hunter Carson). A man ill at ease in everyday life, Travis feels the need to search for his ex, Jane (Nastassja Kinski), who left him some years before. In doing so, he attempts to bring his family back together, with unexpected results.

PARIS, TEXAS is the summation of Wenders’ fascination with the American West – its landscape and the people who populate it. Stanton’s grizzled face says more than any words could convey, his silence accentuating his feelings of dislocation from the modern world. Instead, Ry Cooder’s music, heavily influenced by Blind Willie Johnson’s blues standard ‘Dark Was the Night, Cold Was the Ground’, along with Robby Müller’s stunning cinematography, transpose Travis’ emotional and physical journey upon the vast sights and sounds of the American landscape. The script, co-written by L.M. Kit Carson and acclaimed playwright Sam Shepard, plays with the notion of myth, country and character – a place always out of reach or a relationship consigned to the past. It’s a potent idea that Wenders’ film brilliantly embraces.

Both a road movie and a mystery, and featuring a sublime score by Ry Cooder, Wim Wenders’ Cannes winner is the pinnacle of the filmmaker’s career. This year PARIS, TEXAS is 40 years old and the film has lost none of its hypnotic power.

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146 minutes – West Germany / France / United Kingdom / United States 1984
Director: Wim Wenders
Starring: Harry Dean Stanton, Nastassja Kinski and Dean Stockwell

Harry Dean Stanton plays Travis Henderson, who walks out of the desert after disappearing for four years. He is picked up by his brother Walt (Dean Stockwell) who, with his wife Anne (Aurore Clément), have been looking after Travis’ son Hunter (Hunter Carson). A man ill at ease in everyday life, Travis feels the need to search for his ex, Jane (Nastassja Kinski), who left him some years before. In doing so, he attempts to bring his family back together, with unexpected results.

PARIS, TEXAS is the summation of Wenders’ fascination with the American West – its landscape and the people who populate it. Stanton’s grizzled face says more than any words could convey, his silence accentuating his feelings of dislocation from the modern world. Instead, Ry Cooder’s music, heavily influenced by Blind Willie Johnson’s blues standard ‘Dark Was the Night, Cold Was the Ground’, along with Robby Müller’s stunning cinematography, transpose Travis’ emotional and physical journey upon the vast sights and sounds of the American landscape. The script, co-written by L.M. Kit Carson and acclaimed playwright Sam Shepard, plays with the notion of myth, country and character – a place always out of reach or a relationship consigned to the past. It’s a potent idea that Wenders’ film brilliantly embraces.

Both a road movie and a mystery, and featuring a sublime score by Ry Cooder, Wim Wenders’ Cannes winner is the pinnacle of the filmmaker’s career. This year PARIS, TEXAS is 40 years old and the film has lost none of its hypnotic power.

Harry Dean Stanton unforgettable in haunting classic.
The Guardian