Real or Vision? The Northern Renaissance
Art History Reframed: Autumn Lecture Series
Art Historian Dr Matthew Whyte offers a new lecture series, which takes the audience on an art-filled journey through the often beautiful, sometimes scandalous, and always fascinating moments in the development of Western civilisation. See series info »
5. Real or Vision? The Northern Renaissance
In Northern Europe during the fifteenth century, we encounter the meeting point of the radically real with the vibrantly visionary, as artists push the boundaries of oil paint to convince prayerful viewers that theirs was a world where the spiritual was at their fingertips. We explore the photo-realism of Jan Van Eyck, whose Ghent Altarpiece still mystifies viewers through its rendition of real textures and profusion of lifelike characters, as well as the frightening hellscapes of Hieronymus Bosch, whose nightmarish hybrid demons recall Salvador Dalí at his most surreal. We also see how the rise of printmaking was a force for the development of new imagery and ideas, Albrecht Dürer harnessing the technology in the service of humanistic self-expression, while the early expressions of Protestant reform embraced the medium as a means to spread urgent messages.
1. Tues 17 Sept
The Ideal Body in Ancient Greece & Rome
2. Tues 24 Sept
Christian Triumph in Late Antiquity
3. Tues 1 Oct
Medieval Europe: A ‘Dark’ Age?
4. Tues 8 Oct
The Early Renaissance: A New Art
5. Tues 15 Oct
Real or Vision? The Northern Renaissance
6. Tues 22 Oct
The High Renaissance & the ‘Genius Artist’
Art Historian Dr Matthew Whyte offers a new lecture series, which takes the audience on an art-filled journey through the often beautiful, sometimes scandalous, and always fascinating moments in the development of Western civilisation. See series info »
5. Real or Vision? The Northern Renaissance
In Northern Europe during the fifteenth century, we encounter the meeting point of the radically real with the vibrantly visionary, as artists push the boundaries of oil paint to convince prayerful viewers that theirs was a world where the spiritual was at their fingertips. We explore the photo-realism of Jan Van Eyck, whose Ghent Altarpiece still mystifies viewers through its rendition of real textures and profusion of lifelike characters, as well as the frightening hellscapes of Hieronymus Bosch, whose nightmarish hybrid demons recall Salvador Dalí at his most surreal. We also see how the rise of printmaking was a force for the development of new imagery and ideas, Albrecht Dürer harnessing the technology in the service of humanistic self-expression, while the early expressions of Protestant reform embraced the medium as a means to spread urgent messages.
1. Tues 17 Sept
The Ideal Body in Ancient Greece & Rome
2. Tues 24 Sept
Christian Triumph in Late Antiquity
3. Tues 1 Oct
Medieval Europe: A ‘Dark’ Age?
4. Tues 8 Oct
The Early Renaissance: A New Art
5. Tues 15 Oct
Real or Vision? The Northern Renaissance
6. Tues 22 Oct
The High Renaissance & the ‘Genius Artist’