Made in England: The Films of Powell and Pressburger – Triskel Arts Centre Skip to main content

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Experience the best in Independent and world film in a fully digital cinema based in the unique surroundings of a stunningly refurbished 1700s neo-classical church. Triskel Arts Centre in the heart of Cork city screens two titles each week with additional special events, film strands such as Experimental Film, Horror and monthly Shorts.

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We encourage everyone to purchase tickets online in advance but, if you’d prefer to purchase in person, click here for this week’s Box Office Opening Hours. We would appreciate contactless payment where possible.

*Triskel may adjust these prices in special circumstances

 

Are you a cinema member? If not, why not?! Click on the Cinema Membership tab above for more information or purchase directly.

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  • Tickets for films rated ’12A’ and ’15A’ can be purchased for persons under the ages of 12 and 15 only if accompanied by an adult guardian (of 18 years or older).
  • Tickets for films rated ’16’ can be purchased by and for persons of 16 years of age and over only (valid ID may be required).
  • Tickets for films rated ’18’ can be purchased by and for persons of 18 years of age and over only (valid ID may be required).
  • Tickets for films rated ‘NC’ can be purchased by members only, of 18 years of age and over only (valid ID may be required).
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Made in England: The Films of Powell and Pressburger
12A

Powell / Pressburger Film Season

133 mins – United Kingdom 2024 – Documentary
Director: David Hinton
Narrator: Martin Scorsese


Martin Scorsese first encountered the films of Powell and Pressburger when he was a child, sitting in front of the family TV. When their famous logo came up on screen, Scorsese says, “You knew you were in for fantasy, wonder, magic – real film magic.”

Now, in this documentary, he tells the story of his lifelong love-affair with their movies, including THE RED SHOES, THE LIFE AND DEATH OF COLONEL BLIMP, BLACK NARCISSUS and THE TALES OF HOFFMANN.

“Certain films you simply run all the time and you live with them,” Scorsese says. “As you grow older they grow deeper. I’m not sure how it happens, but it does. For me, that body of work is a wondrous presence, a constant source of energy, and a reminder of what life and art are all about.”

Drawing on a rich array of archive material, Scorsese explores in full the collaboration between the Englishman Powell and the Hungarian Pressburger – two romantics and idealists, who thrived in the face of adversity during World War II but were eventually brought low by the film industry of the 1950s.

Scorsese celebrates their ability to create “subversive commercial movies” and describes how deeply their films have influenced his own work.

Mon
24
Jun
Wed
26
Jun

133 mins – United Kingdom 2024 – Documentary
Director: David Hinton
Narrator: Martin Scorsese


Martin Scorsese first encountered the films of Powell and Pressburger when he was a child, sitting in front of the family TV. When their famous logo came up on screen, Scorsese says, “You knew you were in for fantasy, wonder, magic – real film magic.”

Now, in this documentary, he tells the story of his lifelong love-affair with their movies, including THE RED SHOES, THE LIFE AND DEATH OF COLONEL BLIMP, BLACK NARCISSUS and THE TALES OF HOFFMANN.

“Certain films you simply run all the time and you live with them,” Scorsese says. “As you grow older they grow deeper. I’m not sure how it happens, but it does. For me, that body of work is a wondrous presence, a constant source of energy, and a reminder of what life and art are all about.”

Drawing on a rich array of archive material, Scorsese explores in full the collaboration between the Englishman Powell and the Hungarian Pressburger – two romantics and idealists, who thrived in the face of adversity during World War II but were eventually brought low by the film industry of the 1950s.

Scorsese celebrates their ability to create “subversive commercial movies” and describes how deeply their films have influenced his own work.

An engrossing celebration of two of British cinema’s most distinctive voices, and their creative harmony.
The Observer