Burn/Out | Triskel Arts Centre
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Burn/Out

Cork Midsummer Festival

Burn/Out
Thu 13 Jun 2019

8:45pm | €Free
Thu 13 Jun 2019

8:45pm | €Free

A free evening of artists’ films on the theme of environmental disquiet, exploring the anxious line between the natural world and our interventions within it.

Burn/Out addresses our current global preoccupation with climate and environmental degradation, a preoccupation that has immediate urgency and relevance in Cork in the context of the OPW’s proposed flood prevention measures. The curated programme will bring together canonical work documenting 1970s land art, performance and body art with contemporary animation and new work by Cork based artists, each addressing the increasingly fraught relationship between the self and environment.

The programme is presented by Pluck Projects who commenced as visual arts curators-in-residence for Cork Midsummer Festival in May 2019. The residency is supported by the Glucksman who will offer mentorship, expertise and other resources to the curators.

These are the films that will be featured:

Spiral Jetty Robert Smithson

1970, 35 min, colour, sound, 16 mm film on video

The film Spiral Jetty is a “portrait” of Smithson’s monumental earthwork of the same name at Rozel Point in the Great Salt Lake, Utah. Completed in April 1970, Spiral Jetty is an iconic earthwork and Smithson’s most renowned piece. At 1500 feet long and 15 feet wide, Smithson’s spiral of basalt rocks, mud, and salt crystals juts out from the shore and coils dramatically into luminous red water. The film documents the making of this earthwork, which has attained near-mythic status as it has disappeared and then re-emerged from the lake over the past decades. A voiceover by Smithson illuminates the ideas and processes that informed the evolution of the work, with allusions to prehistoric relics and radical notions of space, scale and landscape. Poetic and oddly hypnotic, the film includes stunning aerial footage of Smithson running along the length of the glowing spiral in what seems like an ecstatic ritual. The film Spiral Jetty, together with a series of photoworks taken during the construction of the earthwork, have become integral parts of the overall project.

Camera: Robert Fiore, Nancy Holt, Robert Logan, Robert Smithson. Sound: Robert Fiore, Robert Logan. Editing: Barbara Jarris.

Untitled (Grass Breathing) Ana Mendieta

1975, 3:08 min, colour, silent, Super8 mm film transferred to high definition digital media

I have been carrying out a dialogue between the landscape and the female body. Having been torn from my homeland (Cuba) during my adolescence, I am overwhelmed by the feeling of having been cast from the womb (Nature). My art is the way I re-establish the bonds that unite me to the Universe. It is a return to the maternal source.” Ana Mendieta

During a 1974 visit to Mexico, Mendieta began to produce a series of works in which her own body is immersed or shrouded within the landscape. In Untitled (Grass Breathing), she is immersed in the grass-covered ground, from which she emerges. A mound in the middle of a recently re-sodded lawn suggests the presence of the artist underneath. Over the course of the film, Mendieta, underneath the sod, inhales and exhales, and the movement of her body causes the sod to rise and fall, at first slowly, then with increasing vigour, and then more slowly again until she comes to a position of rest.

Burial Pyramid Ana Mendieta

1974, 3.17 mins, colour, silent, Super8 mm film transferred to high definition digital media

Mendieta performed this work on the rocky hillside beside a stone stairway that leads to an ancient pyramidal tomb in Yágul, Mexico. Several of Mendieta’s fellow students from the fledgling Intermedia Group from the University of Iowa, led by Prof. Hans Breder, helped her to clear the ground of stones before the performance. After she lay down on the cleared terrain, these students buried her entire naked body, except for her face, under the stones. Over the course of the film, the camera remains fixed on Mendieta, submerged under the stones, as she inhales and exhales. As her breathing becomes more exerted, the stones begin to fall away to reveal her body beneath.

Ocean Bird (Washup) Ana Mendieta

1974, 4.09 mins, colour, silent, Super8 mm film transferred to high definition digital media

Over the course of this work, Hans Breder films Mendieta from different angles, her body covered in white feathers, as she floats on her back among gentle ocean waves. Like driftwood, the waves push her feather-covered body into the branches of a toppled tree and eventually onto the shore, where she lies in stillness, as the waves lap over her.

Rothach Vivienne Dick

1985, 8 mins, colour, sound,

Rothach was filmed on 16mm in the Donegal countryside and is composed of a rhythmic series of pans across a barren rural landscape that recalls the setting for Michael Snow’s monumental work La Region Centrale. Unlike Snow’s rocky landscape, however, Rothach is filled with evidence of activity. Scenes of a child playing the fiddle are interspersed with shots of farm machinery and turf-cutting on the bog. Many of these images are strikingly picturesque and reminiscent of iconic Irish colour postcards. But the serenity of the location is gradually undercut, both by the soundtrack, which changes from a melody into a series of shifting electronic pulses, and by the uncanny presence of the same child in different locations. It soon becomes apparent that this landscape is highly constructed.
Maeve Connolly, ‘From no Wave to national cinema: the cultural landscape of Vivienne Dick’s early Films (1978-1985)’, National Cinema and Beyond, Four Courts Press, 2004.

Augenblick Vivienne Dick

2013, 13.38 mins, colour, stereo

Augenblick is a meditation on age, and the evolution from a mythological to a human and then to a technologically centered world. The film features three actresses, a trinity of female ages, and quotes literary and philosophical sources from Rousseau to Noah Harari. Moving from The Age of Enlightenment into a digital world, what becomes of out relationship to each other and to the earth?

Antler Atoosa Pour Hosseini

2018, 15 Minutes, Super8mm, colour, sound

Produced by Experimental Film Society & Funded by the Arts Council of Ireland.

Antler won the special award of The Unforseen – International Experimental Film Festival 2018 in Belgrade, Serbia. Here is the jury’s response on the Antler’s award:

“A film of subtle poetics and expressive aesthetics achieved through the hypnotizing intertwining of archive and authorial footage, “Antler” erases the boundaries between fiction and documentary, introducing the viewer to a mysterious and, to a certain degree, fairy-tale-ish world of oneiric atmosphere. Formally seductive, and challenging to decipher, this “ecological fantasy” (for the lack of a more precise definition) transforms a botanical garden into a laboratory of evocative images and sounds, in a process that could be identified as alchemy.”


Book Tickets
Thu 13 Jun 2019
8:45pm | €Free
Visual Art Banner [eme_if tag="Cinema, Summer Series" href="https://www.triskelartscentre.ie/education" title="Back to Education page">Education Banner Special Events Banner

Cinema Info

Experience the best in Independent and world film in a fully digital cinema based in the unique surroundings of a stunningly refurbished 1700s neo-classical church. Triskel Arts Centre in the heart of Cork city screens two titles each week with additional special events, film strands such as Experimental Film, Horror and monthly Shorts.


Tickets & Pricing

Ticket prices before 5pm:
Full: €7.00
With Annual Membership: €6.00
Child (under 14): €6.00

Ticket prices 5pm and after:
Full: €10.00
With Annual Membership: €7.50
Child (under 14): €7.50


Cinema Membership

If you love films, then Triskel Cinema Membership is a must for you.

Members benefits include:

  • Reduced standard ticket prices
  • No fees on non-cert titles
  • Invitation to special screenings and events
  • Exclusive membership newsletter
  • A free screening after every eight attended (full annual membership only)
  • You can also treat one guest per screening to your membership rates (full annual membership only)

Full: €15 – click HERE to purchase
Student*: Free (sign up with valid student ID)
Silver*: Free (for over 65s)
Unwaged*: Free (for jobseekers)

* Sign up in person at Triskel Box Office

Terms and conditions

  • Card is valid for 12 months from date of purchase. Titles, times, dates and prices subject to change.
  • Management reserves the right to refuse admission.
  • Membership can be revoked if not used in line with our terms and conditions.
  • Membership is non-transferrable.
  • Full Membership can be purchased online. All other memberships need to be obtained at our Box Office. Please note, we do not process memberships in the 30 minutes prior to a screening.
  • Presentation of membership card and valid ID needed to purchase tickets and enter auditorium.
  • Membership prices does not extend to satellite broadcasting events.
  • Membership price can be extended to one guest per screening (full annual membership only).
  • One free ticket earned for every eight (full annual membership only).
  • Tickets for films rated ’12A’ and ’15A’ can be purchased for persons under the ages of 12 and 15 only if accompanied by an adult guardian (of 18 years or older).
  • Tickets for films rated ’16’ can be purchased by persons of 16 years of age and over only (valid ID may be required).
  • Tickets for films rated ’18’ can be purchased by persons of 18 years of age and over only (valid ID may be required).
  • Tickets for films rated ‘NC’ can be purchased by members only, of 18 years of age and over only (valid ID may be required).
  • Use of recording devices is forbidden.

Coming Soon

Please note that all tickets must be purchased online in advance of attending at Triskel. There will not be a Box Office at the venue and you will not be able to purchase or collect tickets at the venue.

Are you a cinema member? If not, why not?! Click on the Cinema Membership tab above for more information or click here to purchase. 

Tue 5 July

  • Swan Song – 6.15pm
  • Between Two Worlds – 8.25pm

Wed 6 July

  • Swan Song – 6.15pm
  • Between Two Worlds – 8.25pm

Thu 7 July

  • Swan Song – 6.15pm
  • Between Two Worlds – 8.25pm

Sun 10 July

  • Double Bill: Dr. Who And The Daleks and Dalek’s Invasion Earth 2150 A.D. –  12.30pm

Mon 11 July

  • Il Buco – 6.15pm
  • Benediction – 8.10pm

Tue 12 July

  • Il Buco – 6.15pm
  • Benediction – 8.10pm

Wed 13 July

  • Il Buco – 6.15pm
  • Benediction – 8.10pm

Thu 14 July

  • Moneyboys – 6pm
  • Benediction – 8.10pm

Sun 17 July

  • Bergman Island – 2pm
  • Everything Went Fine –  4.20pm

Mon 18 July

  • Bergman Island – 6pm
  • Everything Went Fine – 8.20pm

Tue 19 July

  • Bergman Island – 6pm
  • Everything Went Fine – 8.20pm

Wed 20 July

  • Bergman Island – 6pm
  • Everything Went Fine – 8.20pm

Thu 21 July

  • Blissed – 6pm
  • Everything Went Fine – 8.20pm

Sun 24 July

  • Nitram – 2pm
  • Good Luck To You, Leo Grande –  4.40pm

Mon 25 July

  • Nitram – 6.10pm
  • Good Luck To You, Leo Grande –  8.25pm

Tue 26 July

  • Nitram – 6.10pm
  • Good Luck To You, Leo Grande – 8.25pm

Wed 27 July

  • Nitram – 6.10pm
  • Good Luck To You, Leo Grande – 8.25pm

Thu 28 July

  • Nitram – 6.10pm
  • Good Luck To You, Leo Grande – 8.25pm

Click here for some things to note when visiting Triskel.


Burn/Out

Cork Midsummer Festival

Image for Burn/Out
Thu 13 Jun 2019
8:45pm
8:45pm [eme_if tag="Cinema, Summer Series" style="color:#999999;text-transform:lowercase">8:45pm | €Free
| Promo codes can be applied at checkout
Thu 13 Jun 2019
8:45pm
8:45pm [eme_if tag="Cinema, Summer Series" style="color:#999999;text-transform:lowercase">8:45pm | €Free
| Promo codes can be applied at checkout
Tickets
Sold Out

A free evening of artists’ films on the theme of environmental disquiet, exploring the anxious line between the natural world and our interventions within it.

Burn/Out addresses our current global preoccupation with climate and environmental degradation, a preoccupation that has immediate urgency and relevance in Cork in the context of the OPW’s proposed flood prevention measures. The curated programme will bring together canonical work documenting 1970s land art, performance and body art with contemporary animation and new work by Cork based artists, each addressing the increasingly fraught relationship between the self and environment.

The programme is presented by Pluck Projects who commenced as visual arts curators-in-residence for Cork Midsummer Festival in May 2019. The residency is supported by the Glucksman who will offer mentorship, expertise and other resources to the curators.

These are the films that will be featured:

Spiral Jetty Robert Smithson

1970, 35 min, colour, sound, 16 mm film on video

The film Spiral Jetty is a “portrait” of Smithson’s monumental earthwork of the same name at Rozel Point in the Great Salt Lake, Utah. Completed in April 1970, Spiral Jetty is an iconic earthwork and Smithson’s most renowned piece. At 1500 feet long and 15 feet wide, Smithson’s spiral of basalt rocks, mud, and salt crystals juts out from the shore and coils dramatically into luminous red water. The film documents the making of this earthwork, which has attained near-mythic status as it has disappeared and then re-emerged from the lake over the past decades. A voiceover by Smithson illuminates the ideas and processes that informed the evolution of the work, with allusions to prehistoric relics and radical notions of space, scale and landscape. Poetic and oddly hypnotic, the film includes stunning aerial footage of Smithson running along the length of the glowing spiral in what seems like an ecstatic ritual. The film Spiral Jetty, together with a series of photoworks taken during the construction of the earthwork, have become integral parts of the overall project.

Camera: Robert Fiore, Nancy Holt, Robert Logan, Robert Smithson. Sound: Robert Fiore, Robert Logan. Editing: Barbara Jarris.

Untitled (Grass Breathing) Ana Mendieta

1975, 3:08 min, colour, silent, Super8 mm film transferred to high definition digital media

I have been carrying out a dialogue between the landscape and the female body. Having been torn from my homeland (Cuba) during my adolescence, I am overwhelmed by the feeling of having been cast from the womb (Nature). My art is the way I re-establish the bonds that unite me to the Universe. It is a return to the maternal source.” Ana Mendieta

During a 1974 visit to Mexico, Mendieta began to produce a series of works in which her own body is immersed or shrouded within the landscape. In Untitled (Grass Breathing), she is immersed in the grass-covered ground, from which she emerges. A mound in the middle of a recently re-sodded lawn suggests the presence of the artist underneath. Over the course of the film, Mendieta, underneath the sod, inhales and exhales, and the movement of her body causes the sod to rise and fall, at first slowly, then with increasing vigour, and then more slowly again until she comes to a position of rest.

Burial Pyramid Ana Mendieta

1974, 3.17 mins, colour, silent, Super8 mm film transferred to high definition digital media

Mendieta performed this work on the rocky hillside beside a stone stairway that leads to an ancient pyramidal tomb in Yágul, Mexico. Several of Mendieta’s fellow students from the fledgling Intermedia Group from the University of Iowa, led by Prof. Hans Breder, helped her to clear the ground of stones before the performance. After she lay down on the cleared terrain, these students buried her entire naked body, except for her face, under the stones. Over the course of the film, the camera remains fixed on Mendieta, submerged under the stones, as she inhales and exhales. As her breathing becomes more exerted, the stones begin to fall away to reveal her body beneath.

Ocean Bird (Washup) Ana Mendieta

1974, 4.09 mins, colour, silent, Super8 mm film transferred to high definition digital media

Over the course of this work, Hans Breder films Mendieta from different angles, her body covered in white feathers, as she floats on her back among gentle ocean waves. Like driftwood, the waves push her feather-covered body into the branches of a toppled tree and eventually onto the shore, where she lies in stillness, as the waves lap over her.

Rothach Vivienne Dick

1985, 8 mins, colour, sound,

Rothach was filmed on 16mm in the Donegal countryside and is composed of a rhythmic series of pans across a barren rural landscape that recalls the setting for Michael Snow’s monumental work La Region Centrale. Unlike Snow’s rocky landscape, however, Rothach is filled with evidence of activity. Scenes of a child playing the fiddle are interspersed with shots of farm machinery and turf-cutting on the bog. Many of these images are strikingly picturesque and reminiscent of iconic Irish colour postcards. But the serenity of the location is gradually undercut, both by the soundtrack, which changes from a melody into a series of shifting electronic pulses, and by the uncanny presence of the same child in different locations. It soon becomes apparent that this landscape is highly constructed.
Maeve Connolly, ‘From no Wave to national cinema: the cultural landscape of Vivienne Dick’s early Films (1978-1985)’, National Cinema and Beyond, Four Courts Press, 2004.

Augenblick Vivienne Dick

2013, 13.38 mins, colour, stereo

Augenblick is a meditation on age, and the evolution from a mythological to a human and then to a technologically centered world. The film features three actresses, a trinity of female ages, and quotes literary and philosophical sources from Rousseau to Noah Harari. Moving from The Age of Enlightenment into a digital world, what becomes of out relationship to each other and to the earth?

Antler Atoosa Pour Hosseini

2018, 15 Minutes, Super8mm, colour, sound

Produced by Experimental Film Society & Funded by the Arts Council of Ireland.

Antler won the special award of The Unforseen – International Experimental Film Festival 2018 in Belgrade, Serbia. Here is the jury’s response on the Antler’s award:

“A film of subtle poetics and expressive aesthetics achieved through the hypnotizing intertwining of archive and authorial footage, “Antler” erases the boundaries between fiction and documentary, introducing the viewer to a mysterious and, to a certain degree, fairy-tale-ish world of oneiric atmosphere. Formally seductive, and challenging to decipher, this “ecological fantasy” (for the lack of a more precise definition) transforms a botanical garden into a laboratory of evocative images and sounds, in a process that could be identified as alchemy.”


Book Tickets
Sold Out
Thu 13 Jun 2019
8:45pm
8:45pm [eme_if tag="Cinema, Summer Series" style="color:#999999;text-transform:lowercase">8:45pm | €Free
Visual Art Banner [eme_if tag="Cinema, Summer Series" href="https://www.triskelartscentre.ie/education" title="Back to Education page">Education Banner Special Events Banner

Cinema Info

Experience the best in Independent and world film in a fully digital cinema based in the unique surroundings of a stunningly refurbished 1700s neo-classical church. Triskel Arts Centre in the heart of Cork city screens two titles each week with additional special events, film strands such as Experimental Film, Horror and monthly Shorts.


Tickets & Pricing

Ticket prices before 5pm:
Full: €7.00
With Annual Membership: €6.00
Child (under 14): €6.00

Ticket prices 5pm and after:
Full: €10.00
With Annual Membership: €7.50
Child (under 14): €7.50


Cinema Membership

If you love films, then Triskel Cinema Membership is a must for you.

Members benefits include:

  • Reduced standard ticket prices
  • No fees on non-cert titles
  • Invitation to special screenings and events
  • Exclusive membership newsletter
  • A free screening after every eight attended (full annual membership only)
  • You can also treat one guest per screening to your membership rates (full annual membership only)

Full: €15 – click HERE to purchase
Student*: Free (sign up with valid student ID)
Silver*: Free (for over 65s)
Unwaged*: Free (for jobseekers)

* Sign up in person at Triskel Box Office

Terms and conditions

  • Card is valid for 12 months from date of purchase. Titles, times, dates and prices subject to change.
  • Management reserves the right to refuse admission.
  • Membership can be revoked if not used in line with our terms and conditions.
  • Membership is non-transferrable.
  • Full Membership can be purchased online. All other memberships need to be obtained at our Box Office. Please note, we do not process memberships in the 30 minutes prior to a screening.
  • Presentation of membership card and valid ID needed to purchase tickets and enter auditorium.
  • Membership prices does not extend to satellite broadcasting events.
  • Membership price can be extended to one guest per screening (full annual membership only).
  • One free ticket earned for every eight (full annual membership only).
  • Tickets for films rated ’12A’ and ’15A’ can be purchased for persons under the ages of 12 and 15 only if accompanied by an adult guardian (of 18 years or older).
  • Tickets for films rated ’16’ can be purchased by persons of 16 years of age and over only (valid ID may be required).
  • Tickets for films rated ’18’ can be purchased by persons of 18 years of age and over only (valid ID may be required).
  • Tickets for films rated ‘NC’ can be purchased by members only, of 18 years of age and over only (valid ID may be required).
  • Use of recording devices is forbidden.

Coming Soon

Please note that all tickets must be purchased online in advance of attending at Triskel. There will not be a Box Office at the venue and you will not be able to purchase or collect tickets at the venue.

Are you a cinema member? If not, why not?! Click on the Cinema Membership tab above for more information or click here to purchase. 

Tue 5 July

  • Swan Song – 6.15pm
  • Between Two Worlds – 8.25pm

Wed 6 July

  • Swan Song – 6.15pm
  • Between Two Worlds – 8.25pm

Thu 7 July

  • Swan Song – 6.15pm
  • Between Two Worlds – 8.25pm

Sun 10 July

  • Double Bill: Dr. Who And The Daleks and Dalek’s Invasion Earth 2150 A.D. –  12.30pm

Mon 11 July

  • Il Buco – 6.15pm
  • Benediction – 8.10pm

Tue 12 July

  • Il Buco – 6.15pm
  • Benediction – 8.10pm

Wed 13 July

  • Il Buco – 6.15pm
  • Benediction – 8.10pm

Thu 14 July

  • Moneyboys – 6pm
  • Benediction – 8.10pm

Sun 17 July

  • Bergman Island – 2pm
  • Everything Went Fine –  4.20pm

Mon 18 July

  • Bergman Island – 6pm
  • Everything Went Fine – 8.20pm

Tue 19 July

  • Bergman Island – 6pm
  • Everything Went Fine – 8.20pm

Wed 20 July

  • Bergman Island – 6pm
  • Everything Went Fine – 8.20pm

Thu 21 July

  • Blissed – 6pm
  • Everything Went Fine – 8.20pm

Sun 24 July

  • Nitram – 2pm
  • Good Luck To You, Leo Grande –  4.40pm

Mon 25 July

  • Nitram – 6.10pm
  • Good Luck To You, Leo Grande –  8.25pm

Tue 26 July

  • Nitram – 6.10pm
  • Good Luck To You, Leo Grande – 8.25pm

Wed 27 July

  • Nitram – 6.10pm
  • Good Luck To You, Leo Grande – 8.25pm

Thu 28 July

  • Nitram – 6.10pm
  • Good Luck To You, Leo Grande – 8.25pm

Click here for some things to note when visiting Triskel.


Burn/Out

Cork Midsummer Festival

Image for Burn/Out
Thu 13 Jun 2019
8:45pm
8:45pm [eme_if tag="Cinema, Summer Series" style="color:#999999;text-transform:lowercase">8:45pm | €Free
| Promo codes can be applied at checkout
Thu 13 Jun 2019
8:45pm
8:45pm [eme_if tag="Cinema, Summer Series" style="color:#999999;text-transform:lowercase">8:45pm | €Free
| Promo codes can be applied at checkout
Tickets
Sold Out

A free evening of artists’ films on the theme of environmental disquiet, exploring the anxious line between the natural world and our interventions within it.

Burn/Out addresses our current global preoccupation with climate and environmental degradation, a preoccupation that has immediate urgency and relevance in Cork in the context of the OPW’s proposed flood prevention measures. The curated programme will bring together canonical work documenting 1970s land art, performance and body art with contemporary animation and new work by Cork based artists, each addressing the increasingly fraught relationship between the self and environment.

The programme is presented by Pluck Projects who commenced as visual arts curators-in-residence for Cork Midsummer Festival in May 2019. The residency is supported by the Glucksman who will offer mentorship, expertise and other resources to the curators.

These are the films that will be featured:

Spiral Jetty Robert Smithson

1970, 35 min, colour, sound, 16 mm film on video

The film Spiral Jetty is a “portrait” of Smithson’s monumental earthwork of the same name at Rozel Point in the Great Salt Lake, Utah. Completed in April 1970, Spiral Jetty is an iconic earthwork and Smithson’s most renowned piece. At 1500 feet long and 15 feet wide, Smithson’s spiral of basalt rocks, mud, and salt crystals juts out from the shore and coils dramatically into luminous red water. The film documents the making of this earthwork, which has attained near-mythic status as it has disappeared and then re-emerged from the lake over the past decades. A voiceover by Smithson illuminates the ideas and processes that informed the evolution of the work, with allusions to prehistoric relics and radical notions of space, scale and landscape. Poetic and oddly hypnotic, the film includes stunning aerial footage of Smithson running along the length of the glowing spiral in what seems like an ecstatic ritual. The film Spiral Jetty, together with a series of photoworks taken during the construction of the earthwork, have become integral parts of the overall project.

Camera: Robert Fiore, Nancy Holt, Robert Logan, Robert Smithson. Sound: Robert Fiore, Robert Logan. Editing: Barbara Jarris.

Untitled (Grass Breathing) Ana Mendieta

1975, 3:08 min, colour, silent, Super8 mm film transferred to high definition digital media

I have been carrying out a dialogue between the landscape and the female body. Having been torn from my homeland (Cuba) during my adolescence, I am overwhelmed by the feeling of having been cast from the womb (Nature). My art is the way I re-establish the bonds that unite me to the Universe. It is a return to the maternal source.” Ana Mendieta

During a 1974 visit to Mexico, Mendieta began to produce a series of works in which her own body is immersed or shrouded within the landscape. In Untitled (Grass Breathing), she is immersed in the grass-covered ground, from which she emerges. A mound in the middle of a recently re-sodded lawn suggests the presence of the artist underneath. Over the course of the film, Mendieta, underneath the sod, inhales and exhales, and the movement of her body causes the sod to rise and fall, at first slowly, then with increasing vigour, and then more slowly again until she comes to a position of rest.

Burial Pyramid Ana Mendieta

1974, 3.17 mins, colour, silent, Super8 mm film transferred to high definition digital media

Mendieta performed this work on the rocky hillside beside a stone stairway that leads to an ancient pyramidal tomb in Yágul, Mexico. Several of Mendieta’s fellow students from the fledgling Intermedia Group from the University of Iowa, led by Prof. Hans Breder, helped her to clear the ground of stones before the performance. After she lay down on the cleared terrain, these students buried her entire naked body, except for her face, under the stones. Over the course of the film, the camera remains fixed on Mendieta, submerged under the stones, as she inhales and exhales. As her breathing becomes more exerted, the stones begin to fall away to reveal her body beneath.

Ocean Bird (Washup) Ana Mendieta

1974, 4.09 mins, colour, silent, Super8 mm film transferred to high definition digital media

Over the course of this work, Hans Breder films Mendieta from different angles, her body covered in white feathers, as she floats on her back among gentle ocean waves. Like driftwood, the waves push her feather-covered body into the branches of a toppled tree and eventually onto the shore, where she lies in stillness, as the waves lap over her.

Rothach Vivienne Dick

1985, 8 mins, colour, sound,

Rothach was filmed on 16mm in the Donegal countryside and is composed of a rhythmic series of pans across a barren rural landscape that recalls the setting for Michael Snow’s monumental work La Region Centrale. Unlike Snow’s rocky landscape, however, Rothach is filled with evidence of activity. Scenes of a child playing the fiddle are interspersed with shots of farm machinery and turf-cutting on the bog. Many of these images are strikingly picturesque and reminiscent of iconic Irish colour postcards. But the serenity of the location is gradually undercut, both by the soundtrack, which changes from a melody into a series of shifting electronic pulses, and by the uncanny presence of the same child in different locations. It soon becomes apparent that this landscape is highly constructed.
Maeve Connolly, ‘From no Wave to national cinema: the cultural landscape of Vivienne Dick’s early Films (1978-1985)’, National Cinema and Beyond, Four Courts Press, 2004.

Augenblick Vivienne Dick

2013, 13.38 mins, colour, stereo

Augenblick is a meditation on age, and the evolution from a mythological to a human and then to a technologically centered world. The film features three actresses, a trinity of female ages, and quotes literary and philosophical sources from Rousseau to Noah Harari. Moving from The Age of Enlightenment into a digital world, what becomes of out relationship to each other and to the earth?

Antler Atoosa Pour Hosseini

2018, 15 Minutes, Super8mm, colour, sound

Produced by Experimental Film Society & Funded by the Arts Council of Ireland.

Antler won the special award of The Unforseen – International Experimental Film Festival 2018 in Belgrade, Serbia. Here is the jury’s response on the Antler’s award:

“A film of subtle poetics and expressive aesthetics achieved through the hypnotizing intertwining of archive and authorial footage, “Antler” erases the boundaries between fiction and documentary, introducing the viewer to a mysterious and, to a certain degree, fairy-tale-ish world of oneiric atmosphere. Formally seductive, and challenging to decipher, this “ecological fantasy” (for the lack of a more precise definition) transforms a botanical garden into a laboratory of evocative images and sounds, in a process that could be identified as alchemy.”


Book Tickets
Sold Out
| Promo codes can be applied at checkout
Book Tickets
Sold Out
Book Tickets